Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 2015.
———. “The Social Construction of Black Feminist Thought.” Signs 14, no. 4 (1989): 745–73.
Davis, Angela Y., Gina Dent, Erica R. Meiners, and Beth Richie. Abolition. Feminism. Now. The Abolitionist Papers Series. Chicago, Illinois: Haymarket Books, 2022.
hooks, bell. Killing Rage: Ending Racism. An Owl Book. New York: Holt, 1996.
Love, Bettina L. We Want to Do More than Survive: Abolitionist Teaching and the Pursuit of Educational Freedom. Boston: Beacon Press, 2019.
This guide was created by Rebecca Yowler as part of her work with the "Abolitionist Media Literacy" team. It is maintained by the library staff of Knox College.
An abolitionist approach to media literacy begins by developing what bell hooks (1992) calls an “oppositional gaze.” Rather than passively consuming media, we want to develop habits of critical reading, with an eye towards recognizing oppression and building resistance to / rebellion against representations and narratives that further oppression..
Traditional news media literacy tools like “information neighborhoods” (understanding what kind of information a website is trying to provide you, like entertainment, opinion, or news) and “lateral reading” (opening additional tabs to search for additional information) can help kickstart a critical approach to engaging with media.
But we need to expand media literacy tools further and make them our own:
The “Abolition for All Time” Humanities Lab at Knox College is an initiative to examine the theme of “abolition” as both a historical legacy of the College and as an urgent concern for its present and future. The Lab hosts course-based projects from all disciplines to generate new opportunities for civic and community engagement. Abolition Lab projects range from archival-based research courses with points of inter-institutional collaboration to experiential learning opportunities exploring contemporary social justice issues. The Lab promotes communication and cross-fertilization among projects and supports the production and presentation of digital humanities scholarship.